FUNDRAISING AUCTION 2009 PREVIEW

please check back on Tuesday, October 20
for auction estimates



ANONYMOUS
ALVIN ARMSTRONG
GIL BLANK
RAYMOND BOISJOLY
EDWARD BURTYNSKY
BLAINE CAMPBELL
DANA CLAXTON
MARK DION
STAN DOUGLAS
DAN GRAHAM
FRED HERZOG
JANICE KERBEL
ROBERT KEZIERE
LOUISE LAWLER
EADWEARD MUYBRIDGE
JAMES NASMYTH
DICK OULTON
ISABELLE PAUWELS
SELWYN PULLAN
W EUGENE SMITH
MARK SOO
SIMON STARLING
PAUL STRAND
DEREK SULLIVAN
LARRY SULTAN
MIROSLAV TICHÝ
JAMIE TOLAGSON
LARRY TOWELL
HOWARD URSULIAK
DAVID WISDOM

 

 


 

LOUISE LAWLER
BONE, 1997

black and white photogram, mat with text
image: 8.9 x 6.4 cm
edition 29/100 (MP# P-4)
image courtesy the artist and Metro Pictures Gallery, New York

ESTIMATE: $1000-1500

Louise Lawler (born 1947, Bronxville, New York) is a U.S. artist and photographer. Beginning in the late 1970s, Lawler's work has focused on the presentation and marketing of artwork and the value of art in the social sphere. Much of this work consists of photographs of artwork and the context in which it is viewed. Lawler's photographs include images of paintings hanging on the walls of a museum, art collector's opulent homes, or being viewed by spectators in galleries. Often associated with the Pictures Generation that includes Sherry Levine, Richard Prince, John Baldessari and Cindy Sherman among others, Lawler addresses the power inherent in the museum system to bestow aura and prestige upon objects, and as such her work has been seen as more pointedly political than her peers.

Bone lightheartedly draws on how an object’s value changes as a result of the context in which it is situated. Here Lawler’s photogram of a wishbone includes a small letterpress text under the image that reads: “eaten in 1994; some done in 1995; 100 printed in 1997”. The bone’s ephemeral—here unrequited—potential for wish-making is poignantly offset by its subsequent use in making an artwork, more pronounced as each image in the series is a unique photogram, a contact print made by exposing light on objects laid on photopaper.